There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy
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There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy
The book "Nature of Form for Designers" by Bhagvanji Sonagra, Bhavin R Dabhi & Susmita Rao contains 432 geometric forms, 231 patterns, and 793 colors mostly abstracted from plant and animal forms as well as a few from ice crystals and flows of water for creative industries such as Graphic Design, Product/Industrial Design, and Interior Design as well as such ancillary areas as Fabric Design.
It may be viewed as a database of 150 plus of natural elements (1454 plus entities: forms, patterns, colors). These elements could be combined to create new elements; one can look at them as an alphabet for forming Design "Words" and "Design Sentences" (requiring a Design Grammar).
This opens up the possibility of applying algorithmic techniques to these elements.
Let us say we have two existing Designs - irrespective of the way they are realized, e.g. two different patterns for vases, for articles of clothing which combine a number of the elements in the database. Treating each Desing as a parent, we can apply Genetic Algorithms to evolve new Design Patterns that are based on the initial parents.
In this parlance, Design Patterns based on the book's elements are Design Words and we would be creating new Words. These words may or may not be useful for attractive, in this case, the Human sense of Beauty would be the acceptance criteria for the Genetic Algorithm.
Another path for exploring more forms is by applying coordinate transformations—such as shearing, bending, or stretching, e.g. the skull of a chimpanzee can be mapped onto that of a human. A computational process could extract these elements from the database and apply various transformations to them and leave it to human beings to determine if the resulting shape is useful or not.
In order to form Design Sentences with these Design Words, one has to have a Design Grammar. Joan L. Kirsch and Russell A. Kirsch have demonstrated a shape-only grammar for the styles of Richard Diebenkorn and Joan Miró. There has also been similar idea in architecture, please see: A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series): Christopher Alexander, Sara Ishikawa, Murray Silverstein, Max Jacobson, Ingrid Fiksdahl-King, Shlomo Angel: 8601404694998: Amazon.com: Books which influenced the software development community with the book Design Patterns: Elements of Reusable Object-Oriented Software: Erich Gamma, Richard Helm, Ralph Johnson, John Vlissides, Grady Booch: 9780201633610: Amazon.com: Books.
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On the web
According to Iranian sources, during the US-Israel attack on Friday, April 3, 2026, network equipment supplied by CISCO, Juniper, and Fortinet, based on MikroTik OS, stopped functioning.
The report is here:
From BBC
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From METRO of the UK, today
From METRO of the UK, today
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یاد آر! ز شمعِ مرده یاد آر!
ای مرغ سحر! چو این شبِ تار
بگذاشت ز سر، سیاهکاری
وز نفحهی روحبخش اسحار
رفت از سرِ خفتگان، خماری
بگشود گره ز زلفِ زرتار
محبوبهی نیلگونْ عماری
یزدان به کمال شد پدیدار
و اهریمنِ زشتخو حصاری
یاد آر ز شمع مرده یاد آر
ای مونسِ یوسف! اندر این بند
تعبیرْ عیان چو شد تو را خواب
دلْ پُر ز شعف، لب از شکرخند
محسودِ عدو به کامِ اصحاب
رفتی برِ یار و خویش و پیوند
آزادتر از نسیم و مهتاب
زآنکو همه شام با تو یک چند
در آرزوی وصال احباب
اختر به سحر شمُرده، یاد آر
چون باغ شود دوباره خرّم
ای بلبلِ مستمندِ مسکین!
وز سنبل و سوری و سپرغم
آفاق، نگارخانهی چین،
گل سرخ و به رخ عرق ز شبنم
تو داده ز کف زمامِ تمکین
زان نوگلِ پیش رس که در غم
ناداده به نارِ شوق تسکین
از سردیِ دی فسرده، یاد آر
ای هم رهِ تیهِ پورِ عمران!
بگذشت چو این سنینِ معدود
و آن شاهدِ نغزِ بزمِ عرفان
بنمود چو وعدِ خویشْ مشهود
وز مذبحِ زر چو شد به کیوان
هر صبحْ شمیمِ عنبر و عود
زآنکو به گناه قومِ نادان
در حسرتِ روی ارضِ موعود
بر بادیه جان سپرده، یاد آر
چون گشت ز نو زمانه، آباد
ای کودکِ دورۀ طلایی!
وز طاعتِ بندگان خود شاد
بگرفت ز سرْ خدا خدایی
نه رسمِ ارم، نه اسمِ شدّاد
گِل بست زبانِ ژاژخایی
زان کس که ز نوکِ تیغِ جلاد
مأخوذ به جرمِ حقستایی
تسنیمِ وصال خورده، یاد آر
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