Interesting ruminations on the potentialities inherent in AI technologies as well as their perils & larger meanings with useful ideas & promising paths.
The exploration of 'cognitive sovereignty' alone is also interesting as well as other hazardous arenas...
Find it @ Amazon.com: Customer reviews: The God Test: Artificial Intelligence and Our Coming Cosmic Reckoning
The book "Nature of Form for Designers" by Bhagvanji Sonagra, Bhavin R Dabhi & Susmita Rao contains 432 geometric forms, 231 patterns, and 793 colors mostly abstracted from plant and animal forms as well as a few from ice crystals and flows of water for creative industries such as Graphic Design, Product/Industrial Design, and Interior Design as well as such ancillary areas as Fabric Design.
It may be viewed as a database of 150 plus of natural elements (1454 plus entities: forms, patterns, colors). These elements could be combined to create new elements; one can look at them as an alphabet for forming Design "Words" and "Design Sentences" (requiring a Design Grammar).
This opens up the possibility of applying algorithmic techniques to these elements.
Let us say we have two existing Designs - irrespective of the way they are realized, e.g. two different patterns for vases, for articles of clothing which combine a number of the elements in the database. Treating each Desing as a parent, we can apply Genetic Algorithms to evolve new Design Patterns that are based on the initial parents.
In this parlance, Design Patterns based on the book's elements are Design Words and we would be creating new Words. These words may or may not be useful for attractive, in this case, the Human sense of Beauty would be the acceptance criteria for the Genetic Algorithm.
Another path for exploring more forms is by applying coordinate transformations—such as shearing, bending, or stretching, e.g. the skull of a chimpanzee can be mapped onto that of a human. A computational process could extract these elements from the database and apply various transformations to them and leave it to human beings to determine if the resulting shape is useful or not.
In order to form Design Sentences with these Design Words, one has to have a Design Grammar. Joan L. Kirsch and Russell A. Kirsch have demonstrated a shape-only grammar for the styles of Richard Diebenkorn and Joan Miró. There has also been similar idea in architecture, please see: A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series): Christopher Alexander, Sara Ishikawa, Murray Silverstein, Max Jacobson, Ingrid Fiksdahl-King, Shlomo Angel: 8601404694998: Amazon.com: Books which influenced the software development community with the book Design Patterns: Elements of Reusable Object-Oriented Software: Erich Gamma, Richard Helm, Ralph Johnson, John Vlissides, Grady Booch: 9780201633610: Amazon.com: Books.
This is a good book on various techniques and approaches to innovation & problem-solving. Its chapters are brief surveys of different techniques and approaches to innovation and problem solving, such as TRIZ, with references to more in-depth resources. (Each chapter, in my opinion, could be expanded into a book in itself.)
This book could be useful to inventors, business analysts, requirements analysts, system builders, product owners and others in creative fields.
I am reposting Problem-Solving Heuristics Mind-Map; based on the ideas of the book, "How to solve it" by G. Polya (please see https://lnkd.in/gBxNnZY)
This is the first-edition of a hands-on machine learning book:
Free eBooks from our friends at Redmond on Azure:
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Books on Software Architecture:
https://architectelevator.com/architecture/architect-bookshelf/
